|  This lace possibly has its origins in the 
                  early tape laces of Northern Italy. Some Russian laces feature 
                  a pattern of little holes within the tape, reminescent of Milanese 
                  Lace.
 There were a number of peasant 
                    lace-making centres active during the 17th and 18th centuries, 
                    each with its own distinctive forms. Some featured exotic 
                    animal designs and vermicular tape patterns were joined with 
                    a mesh ground. Lace making was considered to be respectable 
                    and profitable. Even members of wealthy families were involved 
                    in trades. Nobles and prosperous mechants trained their daughters 
                    in lace making as in a sort of fine arts. Women from impoverished 
                    gentry families and widows worked long hours around the year. 
                    But the majority of lace makers was represented by inhabitants 
                    of garrets and basements. Vologda lace has won deserved fame and world-wide 
                    recognition for its high artistic value, rich ornament, and 
                    excellent workmanship. The earliest laces, which have reached 
                    us, date back to the 17th century. The lace woven from golden 
                    and silver threads decorated rich civilian and church garments 
                    and was mostly used by the nobility. By the middle of the 19th century laces had 
                    become widely traded. At the beginning of the 20th century 
                    Vologda lace gained its distinctive artistic and stylistic 
                    features. The richness and variety of the decorative pattern, 
                    the clear-cut easy line of the design, monumentality of forms 
                    and predominance of floral motives distinguish traditional 
                    Vologda lace. At the World Fair in Paris in 1937 the Vologda 
                    Lace Association was awarded prize for the novelty and artistry 
                    of its lace articles; at the Brussels Exhibition in 1958 Vologda 
                    lace was awarded Gold Medal. The present development of lace weaving in 
                    Vologda and in Russia is above all associated with the "Snezhinka" 
                    lace firm. The firm employs lace-makers and professional designers. 
                    Lace is woven by hand with the help of bobbins. There is a 
                    great demand for lace products both in Russia and abroad. Other important lace-making centres were established 
                    in Eletz, Riazan and Kirovsk. In Yaroslavl Province the early 
                    lace was distinguished by bold patterns with a diamond and 
                    square patterned ground mesh formed by brides with picots. Lace making is one of the most laborious and 
                    time-consuming handicrafts. Though the process of weaving 
                    looks like 'a sort of fun it requires extreme patience, accuracy 
                    and good taste. And those who do not copy samples, but create 
                    them, often spend months searching after fresh idea. They 
                    produce mountings of drafts and sketches of the whole thing 
                    and all its parts. Each detail, every figure, curl and flower 
                    then are woven to try different ways, colors, materials. When 
                    the whole picture is ready on a big list of paper, the designer 
                    has to work on technology to find the right place for each 
                    pin. When this is over, lace makers start weaving itself. 
                    Big articles are made by teams and need weeks and months of 
                    hard work. Lace making tradition in Vologda survived through 
                    hard times. Now it's still alive and developing. 
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